–August, 1963 / a love poem to Edwina Salsiccia-
In August of 1963 I gathered the things I’d need for art school;
pens, pencils, drawing pads, little bristle brushes I used in order to
add color to the numbers of an eventually pleasant scene.
I'll need rags from under the sink, lots of erasers, and
I'll take with me that photo of you, Edwina, the one where
you’re sitting by my side at the folding banquet table
during the "installation of officers" at the Sons of Italy Hall
when my father was presented with a plaque honoring him
for being the Italian-American man of the year, and O,
how can I leave you now, Edwina, only to make
my pictures look a little better, or maybe to taste
marijuana for the first time, probably exhaling the smoke
as if I was puffing a Chesterfield, and perhaps someone
will tell me to keep the smoke inside my lungs, or maybe
to experiment with adult women who know where to go
and what to do, and no doubt to be lectured to of the goings on
of Elvis on velvet, or Maggie Keane's big-eyed kids, and maybe others
too good to be ignored, –– but I don’t know, and I don’t care.
Edwina, what I know is..I'll sorely miss the hypnotic appeal of your lazy eye
masking the blueness found in your good eye, the softness of your skin,
that river of skin above your blood-colored elbow running northward to
the little brown mole on your shoulder, (how its long black hair whispers
beneath my breath) and your drenched, exploring tongue rolling around
inside my arid mouth as if searching for something unknown, and yet desired;
a new kind of water. O, Edwina! the honeysuckle aroma of your knees, the smear
of your exhalation, as hot as the tailpipe exhaust of a souped-up '57 Chevy,
and the sweet softness of your horizontally uneven breasts
(and this is not meant to be vulgar) and only I know why one rested higher
than the other one, but that's the way of it sometimes, and it's ok.
I'm off to become historically significant and it's so long for now
and who knows, maybe forever my dear Edwina Salsiccia.
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