A nighttime in Boston
I had plenty of time before the performance
of Sofia Gubaidulina's "Offertorium" ––
so I drove northbound on Massachusetts Avenue
toward its bridge spanning the river, but stopped short of crossing it.
I wanted to park for awhile on the banks of the Charles
overlooking Cambridge where Harvard and M.I.T. are seated.
From my sightline, Harvard, sitting northwest along the river
was set too deeply into the landscape to be seen clearly,
but M.I.T., up-front and imposing seemed to be staring me down,
curious as to what business a working-class guy like myself
would have in the "Athens of America".
I argued that although I was born and raised in the "Armpit of America"
to the south, I had as much a right to be in Boston as anyone.
After all, I just wanted to look, not being interested in touching anything
or engaging in a futile attempt at confronting the complexities of its crazy equations.
Later, I found the performance at Symphony Hall to be first rate and although
my earlier confrontation with M.I.T. remained unresolved, I had my hands full
confronting the complexities of Sofia Gubaidulina's "Offertorium."
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