-Double Violin Concerto in D moll-
to start the engine of my new car
I simply press a button.
It starts quickly, without
the agonizing, albeit beautiful
sound of extensive turn-over,
a characteristic of the old machinery’s
a characteristic of the old machinery’s
ignition, crankshaft and pistons and
a lot of other mechanical goings on.
I strap myself in.
the pre-ride obligations
are accomplished with the speed
and adroitness of a pro at Daytona.
classify me as the driver of a fast car.
father, brother, son, friend,
lover of women, erstwhile classroom nuisance
and driver of the quick and nimble automobile;
lover of women, erstwhile classroom nuisance
and driver of the quick and nimble automobile;
fast and powerful, it turns on a dime
and stops on a dime, but it cost me plenty.
I tune-in Bach from paradise.
at my command, Bach drops from the exosphere;
drops from the arcing, glittering apparatus
wired to the hilt to track me down.
It's Bach riding shotgun this morning,
a passenger on this side of his life, the digital
side of the Double Violin Concerto in D moll,
side of the Double Violin Concerto in D moll,
barreling down route 6 eastward, the fast-
lane to Westport,–– bound for "Grundy's Plumbing & Hardware"
in search of a toilet-tank flapper assembly kit
and Johann Sebastian Bach is tagging along for the ride.
and Johann Sebastian Bach is tagging along for the ride.
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