Wednesday, December 3, 2014


-the Sacred Heart Academy girls-


I was too young
to go to the dance at Club Calumet
but the girls from the Academy
tucked into my sister's bedroom
prepared themselves.

the door was slightly ajar,
never able to fully close
in order to shut me out.
my gait from the kitchen
to the parlor slowed to funeral steps
as I passed the intriguing goings on.
they examined their skin —

pressed the upper eyelashes
with an implement designed
to do nothing else.
they primed their hair
in sprays to hold the hairdo's down.
they dabbed
the backs of their ears
with Wind Song 
and the backs of their knees —

rolled deodorants then sniffed
the hairless armpits to certainty.
they listened to Elvis crooning
from a spinning 45, slipped their legs
into crinoline mesh
after conning the nylons upward
as far as they could go.
earlier, two of them took baths
in the tub, heating the cold porcelain.

later, I could hear them
giggling with anticipation as they ran
through the kitchen door leaving the house.


                                         1017 Bedford







Tuesday, December 2, 2014

-I say, a moving road!-



I would like to suspend
all that I know above my head
inside a cat-faced parade balloon
strung to my wrist, gas-filled
and bobbing
over the pavement’s curb
as the brassy parade passes by.

between the marching bands
the silent, shuffle of footsteps
belonging to inserted afterthoughts
which filled the gaps
was intriguing and often otherworldly.
participants smiling soundlessly,
waving silently, some groupings
with banners held at their waists
strung along a horizontal rod,
material flapping softly before the muted,
gaily clad promoters of their cause.

my position on earth was dictated
by the width of my standing body
at curbside, often clutching a web
of pink cotton-candy which clung
to my mouth and fingertips, the cheeks
of my face and even the stubble of my crewcut.

the clacking Budweiser Clydesdales
seemed benign in the distance but soon
became threatening by their size
and obvious power to maim or kill
if something snapped in their heads.
all it takes is one creative kid with a cherry bomb.

massive piles of manure left behind on the march
were amusingly avoided by the oncoming.
but now and then someone stepped into it.

here, the approaching drum-majorettes,
always stone-faced and lovely, tasseled
white boots gracing their marching feet
were the gold-cup reward for this young
horse manure observer.

the beauties, the adored ones, high-skipping
into mounds of smoldering horse shit,— but
purpose-filled, goal oriented, determined, unflappable,
just the same as me.




Monday, December 1, 2014


-the story of the finding and proving of the true house at 1017 Bedford-

1.
before there was a gang hanging-out on the corner
of Columbus Park at the right field line,— there was another gang
made-up of our older cousins and their girlfriends who were the older
sisters of those who will become our girlfriends.

but another gang before them,
those kids,— they were our fathers, and their girlfriends,
they would become our mothers.
those boys and their girls hung-around on the same street corner as we,
as did our older cousins before us.

the houses were much the same then as they were when I was young.
the look of the shingles was the same and the interiors were populated
by the same kinds of occupants roaming the rooms, shouting,
eating in the kitchens, watching televisions in the same parlors or 
listing to radios.

the great cabinet radio in our house
was located in the kitchen
against the wall between the bedroom
shared by my brother, three years my younger, and me
which smelled like the hamper in the bathroom,
and the bedroom shared by our grandparents
which was dark all the time.

through the narrow hallway
we find the parlor where
we watched television by night,
sprawled-out on the rug where we also
clung to one another during the hurricanes.
on those occasions, my father
laid tape across the windows, warding-off
the heavy winds and rising floodwaters
same as applied lambs-blood saved the inhabitants
from Pharaoh's nasty edict.    

off the parlor at the same wall
were the bedrooms of my teenaged sister,
three years my elder,
which looked like a small palace, filled with jewels,
exotic scents, linens and erotic nylon,
and of our parents, which was neat and orderly
with its consistently made bed where
at its foot, my father tossed his weary
trench-coat at the end of his day.
every animal we ever had lived and died
at 1017 Bedford.

a few of these deaths
were attributed to aging
but most were caused by violence.
the violence stemmed from impossible
attempts at escape.

the screeching of wheels,
the sickening thump,
a kid or a cat?

we had a lot of cats.
we had white mice, parakeets
and gold fish.
we had hamsters and guinea pigs.
no dogs.
not one dog.
we had but the one lizard.

we had rabbits, and at Easter-time,
a few living yellow peeping chicks
which were delivered to us
in shallow boxes by the same uncle.
In short time, these were buried near the craggy
vegetable garden across from the grapevine in the backyard.

once, one of our more adventurous parakeets
escaped into the wild when perched on the visiting
egg-man’s sweaty fedora
and it flew across the backyard cemetery,
then over the fence into Rachlin’s Junkyard
never to be heard from again.
our pets were requiems in the making; 

walk one in through the kitchen,
then carry it out to the graveyard in back
in the endless cycle of animal life and death.
I’m telling you this merely to set the scene.
but also to say that this is the place
where the poems were born.
for example,—

I thought about the one lizard we kept
in the small desert-like aquarium
under the window streaming lots of sunlight
as I wrote the recent poem somewhat dedicated to
Federico Garcia Lorca.

2.
the gas stove was old, huge
and hissed with burning blue flames.
the refrigerator was big, too
as was the winter-clanging space-heater.
the kitchen's single sink
was deep enough for two kids
and the toilet had its own little room
next to the tub
which had its own little room.
the telephone weighed-in at 36 pounds.
the screen door to the kitchen had cancer.
the linoleum, tuberculosis.
the wallpaper patterns were washed-out
but as ever-present as wandering polio.

my sister's room was a goldmine.
the television, miraculous.
every candy dish on every surface
was filled to capacity.
houseflies vacationed there in summer months
doped-up on island meadows of peppermint.

In this house, when my sister's girlfriends
came waltzing through for an overnight sleep-in,
some of them bathed in the tub before bed.
they took baths in my tub.

yes, you, Beverly Greenwood.
you, Beverly Greenwood.

3.
I'm speaking of you, Beverly Greenwood.
the ballpark was across the street
and so was the ESSO gas station.
the great Italian bakeries were across the street
and the Marconi Club as well, belching-out
its nighttime drunks in the early morning hours.

the cemetery was close by,
and by that I mean the cemetery for human remains.
the church was within sight
and the grade school, too.
the great and terrible Hugo A. Dubuque School.

Sandra, the girl at the desk
one row to the right
and three desks forward,
lived on Highland Avenue.

I wrote about her
in a couple of poems,—
one of them on seeing her house
from my bike for the first time.
I was lost on the day
when she knew she was rich.
that's right, lost when
she discovered her wealth,
her beauty and when enlightenment 
came over her.

the saddle of my bike
caught fire and singed my youth.
sure, we can still be friends.

Sandra died of leukemia
while in the 5th grade at the Hugo A.—
but this time, for once, it was something
that had nothing to do with me. 

4.
requiem aeternam dona eis domine.
and amen. and amen.








Sunday, November 30, 2014


-Stop. Look. Listen.-

Requiem for the liquor salesman on the road

Hit by the train
The Doppler shift won’t matter.

But a slow death is like the funeral knell
With the Doppler in effect.

It opens with its soft alarm, then
Crescendo— and it’s too late to recover.

––The tree
Falls and you aren't in the woods to hear it.

––The star
You’re looking at isn’t really there.

––You don't
Hear the one that’s got your name on it.

––It's the first
Chesterfield that killed you.






                                                      



  

Thursday, November 20, 2014

-what sweet song- / requiem for Neda Agha-Soltan

had rainfall swept
the city streets before 
the fleeting moment froze
within your breast 
when last the burning
bullet struck to pierce your heart––
or soft breeze lingered
through an open space to softly 
cool your olive skin. but—
what sweet song, Neda,
left your mouth to yield 
such blood? 
and so they tell you: "don't be afraid.
Neda, don't be afraid".

06/20/09



















Monday, November 10, 2014



Ray / a self portrait of sorts (with compliments to Bill Saluga)

Call him
Procrastinator to the next step
Part-time rationalizer
Apprentice to the one who makes the thing.
Call him
Student of the daily recollected 
Jury-rigger
Know-it-all
The one who passed the test for certification.
Call him
Novice
Small Potatoes
Intruder into the lives of those
Who've chosen to remain anonymous. 
Call him
Star-gazer
Ringsider
Striker of the set
Amateur poet of the after-living.
Chisel into his headstone:
"Here lies
The lone assembler of the fragments to his singular life."
Now,—  you can call him Ray
Or you can call him Jay
But-cha doesn’t hasta call him
Know-it-all.


                            


-the two wheel rag-


to lubricate the chain
turn the bike upside down
remove the guard
lube the bearings at the hub
then lightly oil the chain's links
while spinning the back wheel
fast by the pedal.
this spinning is unnecessary
but fun to do, a tactile experience
impressing the girls
as a clever procedure.
we didn’t react to their interest
but we knew about bikes.
we knew about exposure.
the girls knew about attitude
and striking distance.
these natural attributes
would serve them well.
the boys will soon grow out of date.
they’ll have fallen behind
and the girls will have waited long enough.
that’s when they introduce themselves.

that’s what's happened, boy.
that’s what's happened, young man.
that’s what’s happened, old-timer.


                                     








Sunday, November 9, 2014


-watching the airplanes come and go-

I went to the airport
to take off my shoes
to take off my socks.
they passed a beeping wand
upward then downward
across the opening between
the legs of my pants then squeezed
the material at the buttocks
like a bathtub ducky.
no squeaks.
no findings.
they opened my mouth
and poked-around
with the implement
of their fingers
draped in surgical gloves.
they mussed-up my hair
then spread my whatchamacallit
looking deeply into the dark situation.

now,—  some of you
may have moved-on from
Osama bin Laden.
but he still pisses me off.





                          

  
-across the street from the ESSO station-


my old house is dressed in vinyl.
It was dressed in aluminum before that
after it was dressed in wood.
It’s during the age of wood where I showed up.

now when I drive by on my way over the river,
across the big bridge which
wasn’t there during the time of wood,
when gasoline wasn’t sissified by the extraction
of its lead and doctors
smoked cigarettes during the examinations,
I see lots of vinyl.— pea green. sky blue.
even sunlight can’t help it.

here, the entries have entrances,—
little structures of their own leading to them.

God’s been vaporized
and I mean that in the good sense.
I didn’t think of God as vapor, in the time of wood.

backstops have been moved further from the plate,—
in my case, further toward Wall Street
beyond the third base line where a friend
lived with his family.
he was a good shortstop, a mariner later in life
and later still, dead of a fat-constricted heart.
four or five mills have burned to the ground
and four churches, too.

as I've told you, during the age of wood,
at the bubbler beyond the backstop, the water was a clear fall.

and I've said: one could see through the water to the other side
where the game would play-out— 

and I've imagined
it might have been the way baseball would be seen when played on another planet.

and that imagery could never be experienced in the age of vinyl.




  

Friday, November 7, 2014



-Waiting on the Troubadour-


I've chosen the audaciousness
Of personal preference
Over those whose performances
Are more skilled than my own;
Urlicht over Des Knaben Wunderhorn;
The tenacity of Rockland over fractured Airplane Dreams.
But two weeks in––
And still, nothing.

Then on the first day of the third week,
The day God seemed to like above the others
Late afternoon
Under the mailbox
In the dirt
Nearing mud
Behind the dense
Neck-high honeysuckle
On the south-
Side of the house where
The driveway winds to the road,
A small package sealed
But carelessly delivered,
Dropped down
Through a night of light
But steady rain
Is retrieved—
Is addressed to me
Under shrink-wrap cover
Shielded from the elements,
Is carried inside, is opened,
Is engaged and begins
As drenched as the water
With "Duquesne Whistle."


                             


Tuesday, November 4, 2014

-Steppin' out-

–––Let’s meet at the Grand Opera Diner;
We'll order from the menu's elegant penmanship,
Dressed appropriately at our seats.
–––At the diner down by the river,
The waitress calls me “Honey”
And I'll order the meatloaf plate, double-up on the mashed.
–––The guy at the steamer's hard-working
And meatloaf is laid-out one thick slice
Upon the heavy utilitarian plate.
At the diner down by the river,
One thick slice is the distance the stomach can run.
–––Let’s meet at the Grand Opera Diner;
Order from the elegant cursive gracing its page.
–––At the diner down by the river, the menu
Is slipped inside a sleeve of stiff, yellowing acetate.
It's been this way since the diner rose-up in stainless
Steel at the banks of the Taunton.
–––Let’s meet at the Grand Opera Diner.
The light is softly articulated.
Everything seems to be anticipated.
Let's meet at the Grand Opera Diner.
–––The diner down by the river is cranky.
The light slaps with a harsh fluorescence. 
Nickel-plated jukes at the walls of its naugahyde
Booths offer Elvis, Jerry Lee Lewis, Fats Domino,
And the Everly Brothers harmonizing a tough-strung "Bird Dog."
–––Let’s meet at the Grand Opera Diner;
order from the menu's elegant penmanship:
–––"I'll  have the Mezzo, Coloratura on the side, and...
Easy on the Vibrato."